@article { author = {Khoei, Hamid Reza}, title = {An Architectural Reflection on an aspect of Isfahan Cultural Centre by Farhad Ahmadi}, journal = {Andišnāme-ye Me’māri}, volume = {1}, number = {2}, pages = {138-143}, year = {2022}, publisher = {University of Art}, issn = {‪2783-1876}, eissn = {2783-1957}, doi = {10.30480/arcand.2022.982}, abstract = { The late architect, Farhad Ahmadi, should be known and understood through hisWorks.Throughout his professional career, he demonstrated a partiality towardsthe relation of Persian Architecture and the Contemporary Architecture of theWorld.His architectural approach can be comprehended in the design of a Cultural Centre in Isfahan: A prominent aspect of the Design Method is the concentration onthe Traditional Spatial Organization. In addition, the detachment of ArchitecturalElements, concludes in their singularity. This manifests a Modern Expression }, keywords = {Farhad Ahmadi,Persian Architecture,Contemporary Architecture}, title_fa = {مرثیه برای معمار یا فهم اثر او؟ تأملی طراحانه در وجهی از بنای مرکز فرهنگی اصفهان، اثر فرهاد احمدی سازمان دهی سنتی و اجزاء مستقل}, abstract_fa = {-}, keywords_fa = {Farhad Ahmadi,Persian Architecture,Contemporary Architecture}, url = {http://arcand.journal.art.ac.ir/article_982.html}, eprint = {http://arcand.journal.art.ac.ir/article_982_8e0f8e76adb139da3d058b936e5ea0bf.pdf} }